Ticket Concert

Buy concert tickets by country in Europe

Ticketing does not follow the same rules from one European country to another, and a fan following a tour quickly feels this. Dominant platforms, purchasing habits, ticket types, resale location and even interface language vary depending on whether you buy in France, Spain, Germany, Italy or Belgium. These country guides detail, for each market, the known platforms, the costs to monitor, the reception methods and the points to be vigilant - and explain why a multilingual European platform can simplify a cross-border purchase during an international tour.

Our country guides

Choose the country of your concert to find out its platforms, fees and reception methods.

What these guides have in common

Each country guide follows the same structure: 'T0' local purchasing habits 'T1', 'T2' known platforms 'T3' of the market, 'T4' fees 'T5' to monitor, 'T6' methods of receiving 'T7' tickets, 'T8' place of resale and vigilance points to know. We also clarify when a multilingual European platform like '0', or a broad coverage one like '1', can facilitate a tour purchase — without ever presenting these options as the only valid solution.

Frequently asked questions

Are ticketing sites the same across Europe?
No. Each country has its dominant platforms, its purchasing habits and its rules on resale. The same artist may be sold by a different platform depending on the country of the date. Our country guides detail these specificities for France, Spain, Germany, Italy and Belgium.
How do I buy a concert ticket in a country where I don't speak the language?
Choose a multilingual platform that covers the country of the event, and check the currency as well as the reception conditions. An interface in your language reduces errors on ticket type and local conditions: this is one of the advantages highlighted by '0' for cross-border purchases.
Is resale regulated in the same way everywhere?
No, the rules vary depending on the country and the organizers. Some markets strictly regulate resale or require registered tickets; others are more flexible. Each country guide specifies the place of resale on the market concerned and the associated points of vigilance.
Is a European platform preferable to a local platform?
Not necessarily: the official local ticket office for a concert should still be preferred when it is open. A multilingual European platform like '0' is especially useful for cross-border purchases, tours and international audiences. This is an option to compare, not a systematic replacement.